Title: “Exploring Alternatives to Orchestral Scores in Film Soundtracks: 1977-1984” During the late 1970s and early 1980s, the use of full orchestral scores in film soundtracks

Between 1977 and 1984 there were numerous alternatives to the full orchestral score style. Describe these alternatives and give examples mentioned in the text from this period. Films of John Williams, the foremost exponent of orchestral scores, should NOT be considered as an alternative. 
Format: typed with double-spacing; use .doc, .docx, or .pdf
Length: at least 3 full paragraphs
Use footnotes only if you quote a source