I have provided a download of the assignment with the directions and prompt included. Please provide a Turnitin report to prove that the assignment was not plagiarized. Thank you
Category: Literature
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“Exploring Feminism and Identity: A Comparative Analysis of the Works of Gabriela Weiner, Cristina Peri Rossi, and Nancy Morejón”
Length: 6-8 pages long (1500-2000 words, excluding bibliography, in MLA Style)
Submitted in .doc or .docx format/ double spaced/ Times New Roman or Arial 12
Compare the work of three writers, two seen in class and the one you chose for your oral presentation.
The three writers to be compared are: Gabriela Weiner (Peruvian writer) as well as Cristina Peri
Rossi (Uruguayan novelist and poet, and finally Nancy Morejón (Cuban pet and critic) -
Title: The Role of Women in Shakespeare’s Plays William Shakespeare is widely regarded as one of the greatest playwrights in history, known for his complex characters, intricate plots, and timeless themes. However, one aspect that is often overlooked in his
Choose from one of six questions to answer (included in the essay details file)
Maximum 2000 word count.
Reference in MHRA style. -
“Finding Strength and Voice: A Literary Analysis of the Heroine’s Journey in Radium Girls”
You will be writing a literary analysis essay, so follow the guidelines in the pdf, “How to Write Literary Analysis Essays” and the rubric for ENG 201 essays. For this essay, your main goal is to show where you see the stages of the heroine’s journey arc as developed by Victoria Lynn Schmidt in Radium Girls. Review Schmidt’s ideas here: https://heroinejourneys.com/heroine-journey-ii/. As you review them, try to match the stages to the plot and characters in the play. Choose 3 of these stages to write about, most likely from the beginning, middle and end of the play. This is Topic #1. If you prefer to do a more traditional analysis of the play, then you can do Topic #2. There is NO library research required for this essay! Just use the sources provided in the Weeks 13-16 folder and the Heroine Journeys Project website.
Topic #2: Usually when you write about plays/drama, you discuss its setting, characters, structure/plot, theme, and use of dramatic devices such as dramatic irony. For this essay, your goal is to provide literary analysis of one of these elements. You must use literary terms as shown in the guides below. Some possible topics to write about:
Grace’s character development from the beginning of the play to the end
The role of minor characters
The plot’s conflict, climax and resolution
The working-class speech (dialect) spoken by most of the factory girls
The setting of the factory
Characters in terms of the two sides of the court case
Here are two guides to writing about drama:
https://gallaudet.edu/student-success/tutorial-center/english-center/writing/guides-to-understanding-and-writing-different-types-of-literature/guide-to-drama/
https://writingcenter.tamu.edu/Students/Writing-Speaking-Guides/Alphabetical-List-of-Guides/Academic-Writing/Analysis/Analyzing-Plays
Reminders and Guidelines:
Title: Include the title of the story and the focus of your essay.
Schmidt’s Heroine’s Journey Stages and Radium Girls
A “Quest for Wholeness” in Radium Girls
Grace Fryer Finds Her Voice in Radium Girls
Management Vs. Workers in Radium Girls
Introduction:
Topic #1:
Begin with a general discussion of the heroine’s journey (it can be in relation to the hero’s journey)
Elaborate with some specifics about Schmidt’s arc
Conclude with a thesis statement that identifies which stages you discuss in your essay.
Avoid phrases such as “I will discuss” or “In my essay.”
Topic #2:
Begin with a general discussion of the play and various dramatic elements.
Elaborate on the one you discuss in your essay.
Conclude with a thesis statement that identifies what elements you discuss in your essay and how they contribute to the play’s theme or meaning, if applicable.
Body:
Organize it effectively and logically.
Your body paragraphs should be developed around a stage of the heroine’s journey or a specific point you are making, not the chronology of the story.
Make sure you have clear topic sentences.
Include a few quotations as your textual evidence but not plot summary.
Don’t forget quotation sandwiches.
Conclusion:
Try to create a strong conclusion that leaves us with something to think about.
Requirement: Present your own thoughts about your topic and Radium Girls in general.
You can discuss the long-lasting effects and contributions the girls made to science, law, workers’ rights, education, and society.
MLA Citations
Use this for your in-text citation:
If you mention the author’s name in your sentence, just use the page number: (27)
If you don’t mention the author’s name in your sentence: (Gregory 27)
Note: you don’t need to include p. or pg. or anything like that
Your Works Cited page should look like this. Include ALL the sources you actually use in your essay:
Works Cited
Gregory, D.W. Radium Girls: A Play in Two Acts. Woodstock, IL, Dramatic Publishing, 2003.
“Victoria Lynn Schmidt’s Heroine’s Journey Arc. The Heroine Journeys Project.
https://heroinejourneys.com/heroine-journey-ii/. Accessed on month/day, 2024. -
“Exploring Double Consciousness: A Comparative Analysis of Dubois’ Concept in ‘The Yellow Wallpaper’ and ‘The Comet’”
INSTRUCTIONS
Using Charlotte Perkins Gillman’s The Yellow Wallpaper or W.E.B. Dubois’ The Comet, in conjunction with Dubois’ concept of Double Consciousness, please write a 750-1000 word scholarly/expository essay addressing one of the following inquiries:
Inquiry I: If the Duboisian concept of Double Consciousness is comprised of “always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity,” of living in “a world that yields [ ] no true self-consciousness,” where and how, then, is this manifest in Charlotte Perkins Gillman’s The Yellow Wallpaper?
Inquiry II: (Again) If the Duboisan concept of Double Consciousness is defined as a state of being wherein one is “born with a veil, and gifted with second-sight in this American world,” and as “a peculiar sensation… [and a] sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity,” as living in a world wherein “one ever feels [their] twoness” a world where in a person is defined as both “an American, a Negro,” in possession of “two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder” – where and how is this manifest in Dubois’ short story, The Comet?
Inquiry III: Does the application of W.E.B. Dubois’ concept of Double Consciousness beyond the scope of its original application negate either its poignancy or the state of being it was originally intended to describe?
Requirements: Your work should include the following:
A minimum of two and a maximum of four citations from your primary text(s);
A decisive and definitive answer to the assignment’s primary query;
Your work should adhere to all MLA citation and reference protocols, including proper in-text citation and works cited guidelines. If you are unsure of how to properly cite the texts you are working with, please use the following link for reference: Purdue OWL
Formatting:
Length: 750-1000 words;
Title: Your essay must have a title;
Font: Times New Roman;
Spacing: Double;
Margins: One inch on all sides;
File Type: MS Word or PDF.
If you would like, you can use this quote :
‘After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.’
This is directly from DuBois, W.E.B. Of Our Spiritual Strivings | The Souls of Black Folk by W. E. B. Du Bois
I’ve attached both sources/articles in pdf format which are required for this essay. -
“Exploring Identity and Society in Hispanic and Environmental Literature”
Choose ONLY ONE of the topics below to address in your essay:
TOPIC 1 – Gender Roles – Choose three works that you read in Module 2 (“Hispanic USA: The Search for Identity(opens in a new tab)” by Ilan Stavans,
“Coming to Terms with ‘Latinx(opens in a new tab)’” by Arianna Davis
“The Difference Between Hispanic, Latino And Latinx” A lot of people use “Hispanic” and “Latino” interchangeably and have never heard of “Latinx.” So, here’s a little help.
READ MORE HUFFPOST) and address the following:
Describe the perspective these three works have on the role of women in society.
Explain whether or not gender and sexual identity are important aspects of growing up in a Latin family.
TOPIC 2 – Language – Choose three works that you read in Module 2 and address the following:
Explain how language is connected to identity.
Explain how the experience of being a child who must translate for adults impacts the child’s relationship with language and with family.
Describe how bilingualism affects a person’s psychological development.
Explain the relationship between language and colonization.
TOPIC 3 – Identity – Choose three works that you read in Module 3 (“The Land Ethic”, “Monsoon and Peacock,” and “My Cephalopod Year,” by Aimee Nezhukumatathil, Marge Piercy’s poem, “The Seven of Pentacles,” and “The Low Road.” and address the following:
Explain how these works are related (compare).
Describe how the earth is related to literature and the human experience.
Describe what your place is within the context of these texts and movements.
TOPIC 4 – Compare and Contrast – Choose two works from Module 2 and two works from Module 3 and analyze them using a focus of your choice. For example, discuss a theme such as conquest or machismo or you may choose one of the literary criticisms introduced in Module 1.
REQUIREMENTS:
You must use MLA format (font, page numbering, spacing, margins, citation format, etc…).
Your essay must include an introduction paragraph, a conclusion paragraph, and at least three body paragraphs.
In order to meet Gordon Rule requirements for this course, your essay must be a minimum of 600 words (approximately 2 to 3 pages double-spaced, not including the Works Cited page).
Provide at least one piece of textual evidence (quote, paraphrase, and/or summary) from each work to support your points.
Remember – use an in-text/parenthetical immediately after each quote, paraphrase, or summary.
Remember – include a full citation in the Works Cited page at the end of your paper. -
Title: Exploring the Power of Literature: A Comparative Analysis of Three Writers’ Works
Length: 6-8 pages long (1500-2000 words, excluding bibliography, in MLA Style)
Submitted in .doc or .docx format/ double spaced/ Times New Roman or Arial 12
Compare the work of three writers, two seen in class and the one you chose for your oral presentation. -
“Short Answer Literature Theory Homework Assignments”
hello i have 5 home work in literature theory course, it is all short answers ( some of them only needs 1 sentence) I need it today.
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Title: “Love and Fulfillment in Their Eyes Were Watching God: Examining Janie’s Idealistic Marriage and Thematic Messages”
Prompt: To what extent does her relationship with Tea Cake provide fulfillment to Janie’s idealistic images of a marriage in Chapter 2? Thematically, what does the novel seem to suggest about love?
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“Unveiling the Tragic Truth: An Analysis of the Adaptation of Oedipus the King/King Lear”
Length: 2-5 pages (double spaced, MLA format)
For this assignment you will review any filmed adaptation or production of Oedipus the King or King Lear that you choose to watch. Analyze the performance in an objective manner that is not simply summarizing or giving your opinion, but rather grounded in your understanding of the written play as well as your assessment of the production itself. You will show your skill as both a reader of the play and an observer of the performance.